
Three Resistance Movements Memorial | IXA Studio
IXA Studio ,发布时间2024-12-23 14:50:18
Project Name: Three Resistance Movements Memorial
Project location: Lošany 1, 280 02 Lošany, Czech Republic
Studio: IXA
Author: Tomáš Hradečný, Klára Hradečná, Julie Kopecká, Benedikt Markel, Bronislava Volentičová, Silvia Snopková, Vladěna Bockschneiderová, Jakub Kochman
Co-author: Petr Blažek, exhibition curator:Michael Baroch, Dominika Kovandová, Branislav Kožej, Magdaléna Piterková, Patrik Ölvecký
Project year: 2019-2021
Completion year: 2022
Built-up area: 745 m²
Usable floor area: 1 085 m²
Plot size: 11 539 m²
Cost: 430 000 €
Client: Zdeňka Mašínová
Investor: Mašínův statek — památník tří odbojů
Collaborator Construction work: PROSTAV
Sprayed concrete: Podzemní stavby Brno
Carpentry: Jiří Sušický
Landscaping: Jakub Kratochvíl
Exhibition production: SIGNUM 1995
Multimedia solutions: st.dio
Lighting: Etna iGuzzini
Photographer: Benedikt Markel
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In 2017, nearly thirty years after the fall of the communist regime, Mrs. Zdeňka Mašínová regained the ancestral farm of her father, Josef Mašín, in Lošany. The very same year, a society was established for the purpose of creating a Three Resistance Movements Memorial in the house. The goal was to open it to the public and use it to preserve the legacy of Major General Josef Mašín and his family, has made significant personal sacrifices in the struggle for their homeland, freedom, and democracy throughout the 20th century.

© Benedikt Markel

© Benedikt Markel
The Three Resistance Movements Memorial reflects the extraordinary opportunity to view the modern history of Czechoslovakia and the Czech Republic through the story of one rural family and its companions. The memorial is conceived as a place for preserving the history of not just the foundation and operation of the resistance movements, but also their context and integrity.

© Benedikt Markel

© Benedikt Markel

© Benedikt Markel

© Benedikt Markel

© Benedikt Markel
Following many reconstructions, the ancestral home of Josef Mašín lost its original character. The only trace of authenticity is represented by the masonry and vaulted rooms on the ground floor, preserved and hidden under a shell of sprayed concrete. The concrete serves a protective and stabilizing function. Other soft parts of the building, such as non-original windows and doors, the roof, and the beamed ceiling, were removed. To quote artist Rachel Whiteread, the process can be described as the mummification of the base structure, whose interiors can be entered and traversed.

© Benedikt Markel

© Benedikt Markel

© Benedikt Markel

© Benedikt Markel
In two opposing recesses of the entrance hall, the text of a letter by Josef Mašín is installed, where he bids farewell to his wife and children. Capturing a moment full of love, pain, and determination, underpinned by the knowledge of impending doom, it shows a man who experienced two resistance movements, and whose legacy gave rise to another. In the second room, a trio of sun tunnels located on the vaulted ceiling symbolizes the three resistance movements. The last space, with no roof, is a place for reflection. A mulberry tree grows here as a symbol of the Mašín family, representing freedom and hope which gradually exceeds the horizon of the memorial.

© Benedikt Markel

© Benedikt Markel

© Benedikt Markel
The sizeable courtyard of the original farm remains empty, ready to accommodate larger groups of visitors or serve as a backdrop for ceremonial and social events with presentations on the history of resistance activities.

© Benedikt Markel

© Benedikt Markel

© Benedikt Markel
The farm building, rebuilt into a stable in 1904, and later used as a tractor station for the local collective farm, is the site of an exhibition dedicated to the history of the farm, the Mašín family, and the three Czechoslovak resistance movements, located the former carriage shed. Under the original beamed ceiling, contrastive exhibition inventory is installed on renewed walls. The authentic granary on the upper floor is only accessible in very special cases, and like the stable and hayloft in another part of the building, it will be the subject of the final stage of reconstruction.

© Benedikt Markel

© Benedikt Markel

© Benedikt Markel

© Benedikt Markel

© Benedikt Markel

© IXA Studio

© IXA Studio

© IXA Studio

© IXA Studio

© IXA Studio

© IXA Studio

© IXA Studio

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